Exploitation

Seizes a specific property of the kernel’s field at its limit and makes it the generative material.

Opened-square landmark: I corner · ¬¬k

Double negation of the kernel — the residue classical logic cannot see. At an ordinary kernel, this landmark is the cell's canonical representative — the skeleton of the four-position partition.

One of four structural positions in the framework. The same position recurs across every domain — that recurrence is the claim.

Architecture

Centre Pompidou — Renzo Piano and Richard Rogers (1977)Exploitation
Chartres Cathedral — Unknown (Medieval) (1220)Exploitation · Refusal
Church of Christ the Worker, Atlantida — Eladio Dieste (1960)Exploitation
Church of the Light — Tadao Ando (1989)Exploitation
CNIT Hall — Bernard Zehrfuss, Robert Camelot, and Jean de Mailly (1958)Exploitation
Guggenheim Museum Bilbao — Frank Gehry (1997)Exploitation
Munich Olympic Stadium — Frei Otto (1972)Exploitation
Notre-Dame du Haut, Ronchamp — Le Corbusier (1955)Exploitation
Palazzetto dello Sport — Pier Luigi Nervi (1960)Exploitation
Sagrada Família — Antoni Gaudí (1882)Exploitation
Salginatobel Bridge — Robert Maillart (1930)Exploitation · ↑
Sydney Opera House — Jørn Utzon (1973)Exploitation
Therme Vals — Peter Zumthor (1996)Exploitation · ↑

Cinema

2001: A Space Odyssey — Stanley Kubrick (1968)Distribution · Exploitation · Refusal · ↑
Battleship Potemkin — Sergei Eisenstein (1925)Exploitation · ↑
Breathless — Jean-Luc Godard (1960)Exploitation
Dreams — Akira Kurosawa (1990)Exploitation
Drowning by Numbers — Peter GreenawayExploitation
L'Avventura — Michelangelo Antonioni (1960)Exploitation · ↑
Landscape in the Mist — Theo Angelopoulos (1988)Exploitation · ↑
Man with a Movie Camera — Dziga Vertov (1929)Exploitation
Memento — Christopher Nolan (2000)Exploitation
Meshes of the Afternoon — Maya Deren (1943)Exploitation
North by Northwest — Crop Duster Sequence — Alfred Hitchcock (1959)Exploitation
Psycho — Shower Scene — Alfred Hitchcock (1960)Exploitation
Russian Ark — Alexander Sokurov (2002)Exploitation · Refusal · ↑
Sátántangó — Béla Tarr (1994)Exploitation · Refusal · ↑
The Red and the White — Miklós Jancsó (1967)Exploitation · ↑
The Thin Red Line — Terrence Malick (1998)Exploitation
Tokyo Story — Yasujirō Ozu (1953)Exploitation · ↑

Literature

A Portrait of the Artist as a Young Man — James JoyceExploitation
Bleak House — Charles DickensExploitation
Moby Dick — Herman MelvilleExploitation
Mrs Dalloway — Virginia Woolf (1925)Exploitation
Swann's Way — Marcel Proust (1913)Exploitation · ↑
The Wings of the Dove — Henry James (1902)Exploitation

Music

Giant Steps — John ColtraneExploitation
The Rite of Spring — Igor StravinskyExploitation

Painting

1957-D No. 1 — Clyfford Still (1957)Exploitation
Abstract Painting (809-4) — Gerhard Richter (1994)Exploitation
Ad Parnassum — Paul Klee (1932)Exploitation
Alpha-Phi — Morris Louis (1961)Exploitation
Battle of Fishes — André Masson (1926)Exploitation
Beginning — Kenneth Noland (1958)Exploitation
Carcass of Beef — Chaim Soutine (1925)Exploitation
Composition VII — Wassily Kandinsky (1913)Exploitation
Composition with Red Blue and Yellow — Piet Mondrian (1930)Exploitation
Elegy to the Spanish Republic No. 70 — Robert Motherwell (1961)Exploitation
Europe After the Rain II — Max Ernst (1942)Exploitation
Fifty Days at Iliam — Cy Twombly (1978)Exploitation
Flag — Jasper Johns (1955)Exploitation
Grand Street Brides — Grace Hartigan (1954)Exploitation
Homage to the Square: Apparition — Josef Albers (1959)Exploitation
Les Demoiselles d'Avignon — Pablo Picasso (1907)Exploitation
Mont Sainte-Victoire Seen from the Bibémus Quarry — Paul Cézanne (1897)Exploitation
Mountains and Sea — Helen Frankenthaler (1952)Exploitation
Number 1A, 1948 — Jackson Pollock (1948)Exploitation
Ocean Park No. 67 — Richard Diebenkorn (1973)Exploitation
Olympia — Édouard Manet (1863)Exploitation
Orange, Red, Yellow — Mark Rothko (1961)Exploitation · ↑
Painting, Smoking, Eating — Philip Guston (1973)Exploitation
Portrait of Annette — Alberto Giacometti (1961)Exploitation
Street, Berlin — Ernst Ludwig Kirchner (1913)Exploitation
Sunflowers — Joan Mitchell (1969)Exploitation
The Birth of the World — Joan Miró (1925)Exploitation
The City — Fernand Léger (1919)Exploitation
The Dance — Henri Matisse (1910)Exploitation
The Gate — Hans Hofmann (1959)Exploitation
The Liver is the Cock's Comb — Arshile Gorky (1944)Exploitation
The Studio — Philip Guston (1969)Exploitation
Violin and Candlestick — Georges Braque (1910)Exploitation
Vir Heroicus Sublimis — Barnett Newman (1951)Exploitation · ↑
Water Lilies (Nymphéas) — Claude Monet (1906)Exploitation
Woman I — Willem de Kooning (1952)Exploitation

Physics

Pilot Wave Theory (de Broglie-Bohm) — Louis de Broglie / David Bohm (1952)Exploitation · ↑
Quantum Computing — Richard Feynman / David Deutsch / Peter Shor (1982)Exploitation